Deep in the heart of Jakarta's worst to survive their mission.A lid-flippingly kinetic blast, this martial arts marvel from Indonesia proves you don't need huge budgets or CGI assists to craft a top-tier action film. Writer-director Gareth Evans's (Merantau) plot turns on a fiendishly simple hook: a SWAT team mounts an assault on a mob-controlled apartment building, only to meet with heavy resistance from the machete-favoring tenants. That's it, really, but even a step-by-step recap would prove incapable of conveying the ridiculous, escalating carnage that Evans and his star/action choreographer Iko Uwais pack into virtually every inch of their cramped location. (The music score wisely references John Carpenter's Assault on Precinct 13, whi
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Deep in the heart of Jakarta's worst to survive their mission.A lid-flippingly kinetic blast, this martial arts marvel from Indonesia proves you don't need huge budgets or CGI assists to craft a top-tier action film. Writer-director Gareth Evans's (Merantau) plot turns on a fiendishly simple hook: a SWAT team mounts an assault on a mob-controlled apartment building, only to meet with heavy resistance from the machete-favoring tenants. That's it, really, but even a step-by-step recap would prove incapable of conveying the ridiculous, escalating carnage that Evans and his star/action choreographer Iko Uwais pack into virtually every inch of their cramped location. (The music score wisely references John Carpenter's Assault on Precinct 13, whi
Deep in the heart of Jakarta's worst to survive their mission.A lid-flippingly kinetic blast, this martial arts marvel from Indonesia proves you don't need huge budgets or CGI assists to craft a top-tier action film. Writer-director Gareth Evans's (Merantau) plot turns on a fiendishly simple hook: a SWAT team mounts an assault on a mob-controlled apartment building, only to meet with heavy resistance from the machete-favoring tenants. That's it, really, but even a step-by-step recap would prove incapable of conveying the ridiculous, escalating carnage that Evans and his star/action choreographer Iko Uwais pack into virtually every inch of their cramped location. (The music score wisely references John Carpenter's Assault on Precinct 13, whi
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